Charlie's Place: How the Ku Klux Klan Tried to Stop the Rise of Rhythm & Blues
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Charlie's Place: How the Ku Klux Klan Tried to Stop the Rise of Rhythm & Blues Overview
“Charlie’s Place” is the true story of the Ku Klux Klan’s violent attempt in South Carolina in the post World War II years to stop dirty dancing and kill the emerging black music behind it—rhythm & blues.
Author Frank Beacham describes how a handful of adventurous young black & white dancers—with the help of a fearless black nightclub owner—risked life and limb in an era of racial segregation to create a bold new dance and an enduring Southern musical legacy.
The story evolved from a series of recorded interviews by Beacham with many of the key figures credited with the creation of South Carolina’s state dance, the shag, and the state’s music, a sub-genre of rhythm and blues now called Carolina “beach music.”
Beacham reconstructs the violent armed assault in 1950 by the Ku Klux Klan in an attempt to shut down “Charlie’s Place,” an influential Myrtle Beach night club where white and black dancers shared the dance floor and helped create what is now called the shag. The violence sprang from the aftermath of one of the state’s most openly racist political campaigns, the 1950 U.S. Senate election between Strom Thurmond and Olin D. Johnston.
“Young black and white South Carolinians—in a time of segregation—put their lives on the line to defy the state’s white establishment and create a genuine musical legacy,” said Beacham. “An irony is that South Carolina’s government officials made the shag and beach music the official dance and music of the state without even understanding or noting it’s remarkable historical significance.”
Over the years, Beacham said, the state’s music and dance has almost completely been co-opted by Southern whites, leaving a new generation of blacks unaware of the cultural phenomenon they helped create.
Charlie's Place: How the Ku Klux Klan Tried to Stop the Rise of Rhythm & Blues Specifications
“Charlie’s Place” is the true story of the Ku Klux Klan’s violent attempt in South Carolina in the post World War II years to stop dirty dancing and kill the emerging black music behind it—rhythm & blues.
Author Frank Beacham describes how a handful of adventurous young black & white dancers—with the help of a fearless black nightclub owner—risked life and limb in an era of racial segregation to create a bold new dance and an enduring Southern musical legacy.
The story evolved from a series of recorded interviews by Beacham with many of the key figures credited with the creation of South Carolina’s state dance, the shag, and the state’s music, a sub-genre of rhythm and blues now called Carolina “beach music.”
Beacham reconstructs the violent armed assault in 1950 by the Ku Klux Klan in an attempt to shut down “Charlie’s Place,” an influential Myrtle Beach night club where white and black dancers shared the dance floor and helped create what is now called the shag. The violence sprang from the aftermath of one of the state’s most openly racist political campaigns, the 1950 U.S. Senate election between Strom Thurmond and Olin D. Johnston.
“Young black and white South Carolinians—in a time of segregation—put their lives on the line to defy the state’s white establishment and create a genuine musical legacy,” said Beacham. “An irony is that South Carolina’s government officials made the shag and beach music the official dance and music of the state without even understanding or noting it’s remarkable historical significance.”
Over the years, Beacham said, the state’s music and dance has almost completely been co-opted by Southern whites, leaving a new generation of blacks unaware of the cultural phenomenon they helped create.
